{"product_id":"jhs-pedals-3-series-hall-reverb-copy","title":"JHS Pedals 3 SERIES PHERB","description":"\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eTHE WHAT-SHOULD-HAVE-BEEN OF PEDAL HISTORY.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe JHS Facebook fan page, our comment sections everywhere, our Discord and our inbox have all been overtaken by the same cry of desperation: JOSH! BUILD A JHS FLERB!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBut I refuse.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eYou asked us for Flerb. You're getting PHERB.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA dark, moody lo-fi reverb running into a four-stage phase shifter. Both on, all the time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBREAK mode takes the whole signal — reverb, phaser and your dry guitar — and destroys it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDecided, designed, prototyped and approved for production in just 35 hours. The fastest pedal we have ever made. Probably the most fun one as well.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003ePHERB \u0026gt; FLERB\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eI love the Holy Grail reverb — it's legendary, but the Flerb setting is a monstrosity. I wrote a 500-plus page book on the history of Electro-Harmonix out of pure love for the company, so this is no slam on them. Flanger inside of a reverb just makes my skin itch. Phaser inside of a reverb however, is a different story, and that's the one nobody ever built. So I'm giving you the thing that should have been and never was.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePHERB is Phaser + Reverb, built from the ground up, in house, in October 2026, by way of a manic 35-hour push of engineering and panic. That isn't a marketing number — it's the fastest anything at JHS has ever gone from a decision to a finished, approved prototype, and the old record holder, the Twin 12, wasn't really close.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe reverb is dark, moody and lo-fi on purpose. Not a plate. Not a hall. Not a room anybody measured. It's chorused and chunky, and at longer decay times it slightly pulses.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe phaser is a four-stage vintage style phase shifter (think Phase 90) with the feedback left off and the notch sweeps moved up through the frequency spectrum, so they stay out of the way of the reverb's low mids. You still get the swish. It just doesn't swallow everything underneath it. Speed covers 0.05 Hz to 5 Hz, from barely moving to seasick.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eBOTH EFFECTS, ALWAYS ON\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThere's no blend on purpose, no order switch because we wanted it one way and no way to run one effect without the other (because it's called PHERB) — with one exception. Turn Speed all the way left in normal mode and the phaser steps out, which leaves you the reverb by itself. Three knobs and a toggle, and every position on all of them does something worth hearing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eBREAK MODE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFlip the toggle up and your signal hits an “asymmetric bitcrusher” with analog-style clipping on the way in. The reverb and phaser are built on top of the wreckage. The phaser can't be stepped out in this mode. The destruction sounds amazing — it reminds us of an old Jordan Bosstone fuzz from the 60s if it collided with a DOD Grunge!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eWHAT SURPRISED US\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHow usable it is. The plan was a novelty, a fun joke for our fans, and we were fine with that. Then the first prototype landed on my bench and there were good sounds at every location on the knobs. The bit turned into a pedal that we knew we had to make for the masses — it’s musical, inspiring and most of all fun!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eHOW TO USE IT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePut it near the end of your board where you would normally put a reverb, after your dirt, and leave your amp set the way you already like it. Or don’t. Maybe “just try stuff?”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMix low, Length low, Speed around ten o'clock: the feeling of a lively room instead of an effect you can point at.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eLength all the way up, Speed slow: a pulsing drone that sits under everything and keeps breathing like a synth pad.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBREAK with a short Length: a fuzz that screams out of the speaker. Good for riffs that need to sound broken.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBREAK with a long Length: the sound of a nightmare you wouldn’t mind having again. This is the setting that some people will hate but a lot of people are going to love!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eWHO THIS IS FOR\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePlayers who love building sounds instead of chasing tones. Shoegaze, industrial, noise, experimental pop, ambient records where the reverb is the floor of the sound rather than something poured on top of it later. Anyone who has ever wanted a reverb that fights back — this is it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eWHO THIS ISN'T FOR\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIf you want a vintage style spring reverb for a blues gig, this is not that pedal and we won't pretend it is. If you want a precise phaser to sit politely under a clean chord, it isn't that either. And if you came here for a Flerb, we've already explained ourselves…\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eP.S. We hope the Phineas and Ferb theme song gets stuck in your head. We've decided that's a feature.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMIX – Controls the amount of reverb\/phaser. Clockwise increases the level, counterclockwise decreases it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSPEED – Controls the speed of the phase shifter. Clockwise is faster, counterclockwise is slower. Fully counterclockwise disables the phaser when the BREAK toggle is in the down position (normal mode).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eLENGTH – Controls the decay time and pre-delay of the reverb. As the decay time increases, the pre-delay increases proportionally. Higher settings naturally allow more phasing to be present. Clockwise is more, counterclockwise is less.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBREAK – Toggle up engages BREAK mode, which distorts your incoming guitar signal before it hits the reverb and phaser.  Toggle Down is normal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJACKS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eINPUT – 1\/4\" jack, right side.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOUTPUT – 1\/4\" jack, left side.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePOWER – 9VDC center negative, 70mA. Do not exceed 9VDC or the warranty is void.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSPECS\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\u003cspan\u003eThree controls: Mix, Speed, Length\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cspan\u003eBREAK toggle\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cspan\u003eReverb into a four-stage phase shifter, recombined with your dry signal\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cspan\u003ePhaser rate 0.05 Hz to 5 Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cspan\u003eReverb decay (RT60) 241 ms to 49.83 seconds\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cspan\u003e9VDC center negative, 70mA\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cspan\u003eTHIS PEDAL MEASURES \u003c\/span\u003e\u003cspan\u003e4.42” X WIDTH 2.38” X HEIGHT 1.22 AND \u003c\/span\u003e\u003cspan\u003eCONSUMES 70mA. DO NOT USE MORE THAN 9VDC. DAMAGE MAY OCCUR AND YOUR WARRANTY WILL BE VOIDED.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"JHS PEDALS","offers":[{"title":"Default Title","offer_id":67778173042741,"sku":"810209870218","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/0570\/2965\/files\/JHS-Pedals-3-Series-Pherb-Front_42229721-60d1-449e-863d-da31c93e902d_2048x_1.png?v=1792769122","url":"https:\/\/lonestarmusicdepot.com\/products\/jhs-pedals-3-series-hall-reverb-copy","provider":"Lonestar Music Depot","version":"1.0","type":"link"}